Showing posts with label Nia Coffeehouse. Show all posts
Showing posts with label Nia Coffeehouse. Show all posts

Sunday, January 12, 2014

Writin is Fightin Fighting the Good Fight Rest In Peace Amiri Baraka



I like that Alexs Pate states in the video below “Amiri was before beat,” because though Mr. Baraka was part of the movement, even publishing, Kerouac and Ginsberg before he started Yugen magazine, he is often not thought of as part of this very significant beat shift in literary thinking, especially poetry.

Amiri Baraka strikes a chord in me for many reason, one reason because of his bravery.   Still I search for that consistent core or reserve and resolve to be who I am and do the right thing.  He is asked in this video what is the cost of truth telling. I feel that I have made great and significant gains but sometimes not. 
 I’m not quite sure what institution Amiri Baraka didn’t buck while being himself and following what he learned and what he believe in.  For instance he distanced himself from Black Nationalism to become a Marxist.
           He imparted some insight to this shift stating, "As long as the black writer was obsessed with being an accepted, middle class, Baraka wrote, he would never be able to speak his mind, and that would always lead to failure. Baraka felt that America only made room for white obfuscators, not black ones."           
            His life at the very least exemplifies, an Ismael Reed, quote, “writin is fightin,” from Reed's essay titled, Writin is Fightin: Thirty Seven Years of Boxing on Paper. I love that Baraka was more than sympathetic toward Castro and Cuba, which he made plain with, Cuba Libre, an essay and as a member of the Fair Play for Cuba committee in 1960 and through, ‘A Declaration of Conscience,’ a literary endeavor in favor of Castro’s regime that he co authored.

     
       Alexs Pate’s intro is rather long but, actually 
one of the few intros you don’t want to fast 
forward through. Amir Baraka starts at 9:34
Perhaps the following bespeaks my simple-mindedness, but of all his endeavors, of all there would be to discuss I would have loved to talk to him about his name change.  I legally changed my name in the early 90s and to this time, January 2014 still many are insulted and hurt feelings continue with many refusing to speak it or even write it in legal documents. I approached it thinking of its permanence more or less like a tattoo.  Interestingly, out of all the stakeholders (many more than I thought there could be) the only one who heard the why and embraced me, Cavana Ibeji Opo Faithwalker, was my father after whom I was named.
            Many laugh at us Africans-American half-breeds and we at ourselves as the misspellingess, most prolific name changers on the planet from Shanaynay to Tequila to Mercedes to Trevon, Malik, and Jamal.  I am not positing that we should all change our names or even that we corner the market on name changing and creating anew. I do affirm it is one of our weapons of mass construction to reclaim our very souls and bodies as we have light to do so.  However, we must stop and look at the continuum from Shanaynay to Amiri and realize that  “X” marks the spot.  “X” may be the alpha and omega of our kujichagulia, our self-determinism.  Poor Shaniqua political at birth, political by birth, political when she just wants a proper future for her son.  Take heart in Amiri.  
Thank you Amiri Baraka (born Everett LeRoi Jones; October 7, 1934 – January 9, 2014), formerly known as LeRoi Jones and Imamu Amear Baraka

Friday, November 30, 2012

Whole Lotta Readin Going On.. and Poetry Dec. 1st



Near the 216 CLEVELAND area?
Don't forget to stop by the Barnes & Noble bookstore in Woodmere's Eton Square on Chagrin Blvd., and join me for a fun time of browsing, shopping, kibitzing and hearing poetry . . A great group of poets reading between 1:00pm and 5:00pm (see flyer).  Buy something with vouchers (PRINT pi
c two below) and Heights Writes gets a percentage of your purchase. Heights Writes supports the Poet Laureate of Cleveland Heights which is a two year post and other artistic educational endeavors. My term ends in June. It is also Educators' Day at Barnes & Nobles and educators get discounts. NEED MORE INFO? CALL B&N ((216) 765-7520) There are very nice restaurants and shops in Eton Square and in the area from moderate to expensive, I here tell some folks will be smoking cigars across the street at Cousins afterward... could be just a rumor ;-)
 
Vouchers!
 

Sunday, July 29, 2012


Many Cleveland poets and musician will probably be participating in 100,000 poets for change.  The Nia Coffeehouse will be participating.  Here is some info on 100,000 PaMfC. Leave a comment especially if you'd like to participate.  What should the creative community be doing? What good does it do?


Sunday, May 27, 2012

Nia Coffeehouse dates and Protest songs from our readers


Home base for the Nia Coffeehouse is at 2555 Euclid Heights Boulevard in St. Alban in Cleveland Heights 44118.   For more information Ph. 216/759-0790, leave a message here in comments or at Leftthumbprint@gmail.com.  

Follow us on facebookhttp://www.facebook.com/pages/The-Nia-Coffeehouse/129467261263 and on Google +.


In this bloggissue:

  1. Announcement and information about our next Nia Coffeehouse events
  2. More on protest jazz and music
  3. Comments and favorites from our readers
  4. Wade in the Water
Our next happenings...
  1. Our next Nia Coffeehouse @ St. Alban music and poetry set is June 26th @ 6:00pm. Nia is coming at you with healthy music, phenomenal words, and some healthy eats for you. And unless we say otherwise, Always Open Mic.  

 Our featured poet is Judith Mansour.   

Judith after her last event... got kinda rowdy

Judith Mansour
Judith has a BA in English and, Psychology and an MA in English and Creative Writing.  She has been a creative force in the writing, art and literature scene behind the scenes and in front of the mic for years. You can find Judith at LinkedIn  and at  facebook.





Vince Robinson (seated) with past and current Jazz Poet members
 The band- Vince Robinson and the Jazz Poets.  Look for future Nia blogs dedicated just to this powerhouse who has done so much in poetry, jazz and the community but for now go here are no less than ten pages on Vince and the cats take your pick.


So Many Issues Too Little Time

Soon Nia will be looking at beautiful music and laying protest jazz aside unless you our readers want to keep protest alive.
We've got some interesting responses for favorite protest music from you but first we have questions. It is quite possible that most folks feel overwhelmed and powerless to do anything about today's social ills.  For one thing, the "what can little ole me do" syndrome kicks into effect for many and secondly there are so many things that need attention it is overwhelming, for instance there is fracking, homelessness, infant mortality, child abuse, oil spill issues, Kony, Travon Martin; the object or the objects of the occupy everything movement; the Grammy awards categories being cut that Nia thinks is an important cultural, diversity and monetary issue for people of color and the list goes on.  


Musicians: Powerful or Powerless


Should musicians and people in media feel powerless? Many talk about the power of music but maybe it's a fairy tale conjured up by musicians and their managers.  Already the entire burden shouldn't be put on jazz so we can broaden the conversation for now with an emphasis on jazz.

Mark David Ritscher aka Malichi Ritscher, a fixture and musician in the Chicago music scene, apparently didn't think the power of music was enough.    Ritscher's self-immolation in 2006 on downtown Chicago's Kennedy expressway not mentioned by the media for nearly a week . Chicago Sun-Times columnist Richard Roeper, finally wrote  "With all due respect, if he thought setting himself on fire and ending his life in Chicago would change anyone's mind about the war in Iraq, his last gesture on this planet was his saddest and his most futile."[3]
Ritscher left a detailed smoking gun (sorry) pointing at protest as the raison d'être of his actions.  What about protest music, the power of music, the music that soothes the savage beast?  The actual quote is "music has charms to soothe the savage breast" and forgive me for waxing pedantic. It would be remiss of us not to mention that according to Ritscher's son Mark David was a recovering alcoholic fighting depression and yet we say this exposes two more arena's in which one must question the power of music.


Latin Jazz, Grammy Awards Protest
Go to Multi- American for the entire video and more info on the protest


In contrast to Mr. Ritscher's self-immolation members of the Latin Jazz community protested with music and signs and slogan-chanting the elimination of 31 mostly people of color categories from the Grammy Awards. Polka, gospel, Native American and R&B are among the categories that have been removed.  It would be very interesting if musicians took a page from Black folk and started their own Grammy since they as a group are now not allowed to participate; because of this kind of exclusion Black newspapers sprang up, Miss Black America beauty pageant and Historically Black Colleges and Universities (HBCU) to workers' unions, clubs and restaurants.






Nia would like to hear from musicians and people in the industry; 
  1. What are you doing/ have done with your talents to "fight the power?"  Where and when are you doing it, venues, times and dates if appropriate.  Here is an effort by Cleveland Orchestra member violinist Isabel Trautwein.
  2. Is Nia asking the right questions?
  3. Is Nia defining the "power of music" correctly?

Nia would like to hear from patrons and music lovers;
  1. What place does music hold in your life?
  2. Has music effected change in your life, an epiphany perhaps, set you on a different path, "saved your life," or helped you through a most difficult time in life?  What was the music that "did it?"
What could local musicians do to help local causes say in Cleveland, Ohio? 


Your comments on Protest music

Ian Heams from Barnet a borough of London writes:
"I totally agree Oscar Brown Jr and also that satire and humour can be found in the MUSIC as well as the lyrics. At our local pub on Sunday (The Mitre) the band playing there (Big Chief) played Fats Waller's "Ain't Misbehaving" to a ska beat. It worked a treat and the humour of the contrast between old and new wasn't lost. There's also a tension between a song by a black composer/performer being played to rhythm mostly thought of as being developed by white artists."For me Jazz works best when it's in fusion with other music and the players are pushing the boundaries."
Ian concerning Nina Simone: 
"There's a woman who understands, and owns, her own feelings and is big enough to respect other people and allow them theirs. Great performance."

From musician: Simmie Davis PROTEST SONGS. I aint got time to die, Lift evry voice and sing, To be young gifted and black.


From pitmonkey
"One of the most powerful protest songs is surely, "Wade in the water". Still sung today, it is well known for the double meaning of it's lyrics which continually remind us of the horrors of slavery which, after 300 years still exists in various forms."
"Wade in the Water" is the name of a Negro spiritual first published in New Jubilee Songs as Sung by the Fisk Jubilee Singers (1901) by John Wesley Work II and his brother, Frederick J. Work (see Fisk Jubilee Singers).
The main chorus is:
Wade in the water.
Wade in the water children.
Wade in the water.
God's gonna trouble the water.
The song relates to both the Old and New Testaments. The verses reflect the Israelites' escape out of Egypt as found in Exodus:14.[1] The chorus refers to healing: see John 5:4, "For an angel went down at a certain season into the pool, and troubled the water: whosoever then first after the troubling of the water stepped in was made whole of whatsoever disease he had."
Many internet sources and popular books claim that songs such as "Wade in the Water" contained explicit instructions to fugitive slaves on how to avoid capture and the route to take to successfully make their way to freedom.[2] This particular song allegedly recommends leaving dry land and taking to the water as a strategy to throw pursuing bloodhounds off one's trail.
 - Wikipedia

Here is a cool version of Wade in the Water by Kevin Whallum:


Wade in the Water - Jazz Version from unityall on GodTube.


Monday, May 14, 2012

If It Ain't Got That Sing... can it protest?

Nia Continues the Conversation on Jazz and Protest with a look at Charlie Haden



What exactly is protest music, in this case jazz, without lyrics?  The last issue of the Nia Coffeehouse brought to you Louis Armstrong and Nina Simone with Armstrong's, Black and Blue and Nina Simone's, Goddam Mississippi.  Louis bemoans the plight of African Americans by asking, "what did I do to be so black and blue," and Ms. Simone lashes out at Jim Crow, lynching and the state of Mississippi over the assassination of Medgar Evers with a frustrated exclamation, "Goddam Mississippi!"

As Nia asked the question about protest music in jazz today Charlie Haden crossed our sights.  His album, American Dreams is touted by Byron Woods in, Indy Week dotcom back in 2003 as protest jazz, but is it really?  No doubt Charlie, has "chops" with his effort called, Haunted Hearts making Time magazine's top ten list in 1992 and Down Beat selecting Always Say Goodbye as jazz album of the year in 1994.
In my effort to learn more about American Classical Music I find that it is indeed classical and extremely sophisticated so that the listener has to grow in sophistication to fully enjoy it.  A major part of growing in sophistication is just listening and letting the music have first place for a minute.

One very interesting thing is how the album is touted as protest in the Indy Week. com article, Protest Jazz- Bassist Charlie Haden's American Dream but on Charlie's website patriotism and love of country ( certainly protest constitutes for all but the "love it or leave" ilk love of country) wade through, no gush through the music to the forefront in the description. Whatever happened to there's no such thing as bad publicity? Well certainly there is and the joint is first and foremost a nice piece of work whether it is in your face protest or sappy patriotism.
Give Charlie Haden's "America the Beautiful" a listen; compare it to a Ray Charles version with orchestra and challenge yourself to relegate Ray to the back ground, which is a fun exercise and not as hard as you might think, and focus on how the music takes one to a quite different place than where Charlie Haden's version goes, especially the last stanza.  Love or leave it guys you'll love this America the Beautiful by the Gaither Vocal Band it was a little hard for me to get through although as you would expect from the Gaithers it is very well done.
You might enjoy more about Charlie Haden and his Liberation Music Orchestra here at a devout musician I did.
Where is Charlie Haden today?  Check out Charlie Haden news.

An excerpt from the Byron Woods article:
 "But another Charlie Haden story concerns his protests against the Vietnam War, our country's interventions in El Salvador, and apartheid in South Africa. You can hear them on the three Liberation Music Orchestra recordings he's made since 1970--each recorded, as he's pointed out, while a Republican was president."
Here's Byron Woods at Twitter 
 Nia is still wanting local jazz musicians to showcase protest or involvement in today's society at the Nia Coffeehouse and maybe educate us with some words also.  Bring your band and play with Vince Robinson and the Jazz Poets or let's work out sumpthin. (The Jazz Poets at facebook)

Nia means purpose.

Wednesday, April 18, 2012

Being at Peace in Our Community


from Poet and Being at Peace in Our Community Progenitor Kathy Smith takes place April 21st @ 2:00pm:

"How we can all become less estranged, and more part of the community?

We welcome you to participate in a series of  events featuring poetry, discussion and
food. The impetus for this series is a drive to improve the relationship and understanding
between people who are leading and policing our communities and all people who live in
the communities to minimize violence and to work better together on solving problems.

Here are some of the immediate problems we’d like to work on solving/discussing:

•Incidents have occurred such as misuse of
force/misuse of authority/improper training on the part of some police officers and
other members of the community.  Some in our community have been stopped and harassed
by for no apparent reason, and like in the case of Trayvon Martin, some children have even been harmed.

• Too much polarization, not enough togetherness
• Not enough working together on common community issues
Addressing and helping solve these social issues can help us work together
on some of the other big issues--economic and environmental--at which

we
will
be
more
effective
addressing
together.

SATURDAY APRIL 21 @ 2-5 PM

BEING AT PEACE IN OUR COMMUNITY

“Introducing Ourselves” @


The Nia Coffeehouse

2555 Euclid Heights Blvd. (At St. Alban Episcopal Church)

Open mic poetry, refreshments and roundtable introductions. Theme of
the evening: “Introducing Ourselves”--however you might wish to interpret
this. Please feel free to bring some food and poetry to share. We will meet
again in May; stay tuned for venue and theme info! "

Saturday, September 17, 2011

The Nia Coffeehouse Has a New Home

Well the Nia Coffeehouse has been on hiatus for a couple of months. We hope you missed us.  We will be back soon.  Home base will be St. Alban, 2555 Euclid Heights Blvd.  Look for the read door on the hill.  We have more space, we'll serving food and bringing you poetry, music, and spoken word.  We will be back to you soon with times and dates.  You can see where we've been at facebook, https://www.facebook.com/pages/The-Nia-Coffeehouse/129467261263?sk=app_2309869772


Monday, September 7, 2009

The Nia Coffeehouse | Facebook

Become a fan of The Nia Coffeehouse fan page at facebook* click!
Coffeehouse - Wikipedia, the free encyclopedia
Source: en.wikipedia.org
Coffeehouse[a] (French/Portuguese: café; Spanish: cafetería or café; Italian: caffè, German: Café or Kaffeehaus, Greek: Καφενείο or Καφετέρια, Turkish: Kahvehane) or coffee shop (from Arabic: qahwa) is an establishment which primarily serves prepared coffee or other hot beverages. ...

"Discussing the War in a Paris Café", The Illustrated London News 17 September 1870
Coffeehouse[a] (French/Portuguese: café; Spanish: cafetería or café; Italian: caffè, German: Café or Kaffeehaus, Greek: Καφενείο or Καφετέρια, Turkish: Kahvehane) or coffee shop is an establishment which primarily serves prepared coffee or other hot beverages. It shares some of the characteristics of a bar, and some of the characteristics of a restaurant, but it is different from a cafeteria. As the name suggests, coffeehouses focus on providing coffee and tea as well as light snacks. This differs from a café, which is an informal restaurant, offering a range of hot meals, and possibly being licensed to serve alcohol. Many coffee houses in the Muslim world, and in Muslim districts in the West, offer shisha (Nargile in Turkish), flavored tobacco smoked through a hookah. In establishments where it is tolerated - which may be found notably in the Netherlands, especially in Amsterdam - cannabis may be smoked as well.
From a cultural standpoint, coffeehouses largely serve as centers of social interaction: the coffeehouse provides social members with a place to congregate, talk, write, read, entertain one another, or pass the time, whether individually or in small groups of 2 or 3.

Contents

[hide]

[edit] History


Storyteller (meddah) at a coffeehouse in the Ottoman Empire
The Ottoman chronicler İbrahim Peçevi reports the opening of the first coffeehouse in Istanbul:
Until the year 962 [1555], in the High, God-Guarded city of Constantinople, as well as in Ottoman lands generally, coffee and coffee-houses did not exist. About that year, a fellow called Hakam from Aleppo and a wag called Shams from Damascus came to the city; they each opened a large shop in the district called Tahtakale, and began to purvey coffee.[1]
Various legends involving the introduction of coffee to Istanbul at a "Kiva Han" in the late 15th century circulate in culinary tradition, but with no documentation.[2]
Coffeehouses in Mecca soon became a concern as places for political gatherings to the imams who banned them, and the drink, for Muslims between 1512 and 1524. In 1530 the first coffee house was opened in Damascus,[3] and not long after there were many coffee houses in Cairo.
In the 17th century, coffee appeared for the first time in Europe outside the Ottoman Empire, and coffeehouses were established and quickly became popular. The first coffeehouses in Western Europe appeared in Venice, due to the trafficks between La Serenissima and the Ottomans; the very first one is recorded in 1645. The first coffeehouse in England was set up in Oxford in 1650 by a Jewish man named Jacob in the building now known as "The Grand Cafe". A plaque on the wall still commemorates this and the Cafe is now a trendy cocktail bar. [4] Oxford's Queen's Lane Coffee House, established in 1654, is also still in existence today. The first coffeehouse in London was opened in 1652 in St Michael's Alley, Cornhill. The proprietor was Pasqua Rosée, the Armenian servant of a trader in Turkish goods named Daniel Edwards, who imported the coffee and assisted Rosée in setting up the establishment[5][6].Boston had its first in 1670. Pasqua Rosée also established Paris' first coffeehouse in 1672 and held a city-wide coffee monopoly until Procopio Cutò opened the Café Procope in 1686.[7] This coffeehouse still exists today and was a major meeting place of the French Enlightenment; Voltaire, Rousseau, and Denis Diderot frequented it, and it is arguably the birthplace of the Encyclopédie, the first modern encyclopedia. Vienna's first coffee house was opened by the Greek Johannes Theodat in 1685. 15 years later, four Greek owned coffeehouses had the privilege to serve coffee.[8]
Though Charles II later tried to suppress the London coffeehouses as "places where the disaffected met, and spread scandalous reports concerning the conduct of His Majesty and his Ministers", the public flocked to them. For several decades following the Restoration, the Wits gathered round John Dryden at Will's Coffee House, in Russell Street, Covent Garden. The coffee houses were great social levellers, open to all men and indifferent to social status, and as a result associated with equality and republicanism. More generally, coffee houses became meeting places where business could be carried on, news exchanged and the London Gazette (government announcements) read. Lloyd's of London had its origins in a coffeehouse run by Edward Lloyd, where underwriters of ship insurance met to do business. By 1739 there were 551 coffeehouses in London; each attracted a particular clientele divided by occupation or attitude, such as Tories and Whigs, wits and stockjobbers, merchants and lawyers, booksellers and authors, men of fashion or the "cits" of the old city center. According to one French visitor, Antoine François Prévost, coffeehouses, "where you have the right to read all the papers for and against the government," were the "seats of English liberty."[citation needed]

Coffeehouse in Palestine.
The banning of women from coffeehouses was not universal, but does appear to have been common in Europe. In Germany women frequented them, but in England and France they were banned.[9]. Émilie du Châtelet purportedly wore drag to gain entrance to a coffeehouse in Paris [10] In a well-known engraving of a Parisian coffeehouse of c. 1700,[11] the gentlemen hang their hats on pegs and sit at long communal tables strewn with papers and writing implements. Coffeepots are ranged at an open fire, with a hanging cauldron of boiling water. The only woman present presides, separated in a canopied booth, from which she serves coffee in tall cups.

Traditional Café Central in Vienna, Austria
The traditional tale of the origins of the Viennese café begins with the mysterious sacks of green beans left behind when the Turks were defeated in the Battle of Vienna in 1683. All the sacks of coffee were granted to the victorious Polish king Jan III Sobieski, who in turn gave them to one of his officers, Jerzy Franciszek Kulczycki. Kulczycki began the first coffeehouse in Vienna with the hoard. However, it is now widely accepted that the first coffeehouse was actually opened by an Greek merchant named Johannes Diodato[5].
In London, coffeehouses preceded the club of the mid-18th century, which skimmed away some of the more aristocratic clientele. Jonathan's Coffee-House in 1698 saw the listing of stock and commodity prices that evolved into the London Stock Exchange. Auctions in salesrooms attached to coffeehouses provided the start for the great auction houses of Sotheby's and Christie's. In Victorian England, the temperance movement set up coffeehouses for the working classes, as a place of relaxation free of alcohol, an alternative to the public house (pub).
Coffee shops in the United States arose from the espresso- and pastry-centered Italian coffeehouses of the Italian American immigrant communities in the major U.S. cities, notably New York City's Little Italy and Greenwich Village, Boston's North End, and San Francisco's North Beach. Both Greenwich Village and North Beach were major haunts of the Beats, who became highly identified with these coffeehouses. As the youth culture of the 1960s evolved, non-Italians consciously copied these coffeehouses. Before the rise of the Seattle-based Starbucks chain, Seattle and other parts of the Pacific Northwest had a thriving countercultural coffeehouse scene; Starbucks standardized and mainstreamed this model.

The first Starbucks store, in Seattle, Washington
In the United States, from the late 1950s onward, coffeehouses also served as a venue for entertainment, most commonly folk performers. This was likely due to the ease at accommodating in a small space a lone performer accompanying himself or herself only with a guitar; the political nature of much of 1960s folk music made the music a natural tie-in with coffeehouses with their association with political action. A number of well known performers like Joan Baez and Bob Dylan began their careers performing in coffeehouses. Blues singer Lightnin' Hopkins bemoaned his woman's inattentiveness to her domestic situation due to her overindulgence in coffeehouse socializing, in his 1969 Coffeehouse Blues.
From the 1960s through the mid-1980s, many churches and individuals in the United States used the coffeehouse concept for outreach. They were often storefronts and had names like The Gathering Place (Riverside, CA), Catacomb Chapel (New York City), and Jesus For You (Buffalo, NY). Christian music (guitar-based) was performed, coffee and food was provided, and Bible studies were convened as people of varying backgrounds gathered in a casual "unchurchy" setting. These coffeehouses usually had a rather short life, about three to five years or so on average.[citation needed] An out-of-print book, published by the ministry of David Wilkerson, titled, A Coffeehouse Manual, served as a guide for Christian coffeehouses, including a list of name suggestions for coffeehouses.[12]

[edit] Format


Coffeehouses in the United States often sell pastries or other food items
Cafes may have an outdoor section (terrace, pavement or sidewalk cafe) with seats, tables and parasols. This is especially the case with European cafes. Cafes offer a more open public space compared to many of the traditional pubs they have replaced, which were more male dominated with a focus on drinking alcohol.
One of the original uses of the cafe, as a place for information exchange and communication, was reintroduced in the 1990s with the Internet café or Hotspot (Wi-Fi). The spread of modern style cafes to many places, urban and rural, went hand in hand with computers. Computers and Internet access in a contemporary-styled venue helps to create a youthful, modern, outward-looking place, compared to the traditional pubs or old-fashioned diners that they replaced. Coffee shops like The Coffee Bean & Tea Leaf and Peet's now offer free Wi-Fi in most stores.

[edit] International variation

In the Middle East, the coffeehouse (al-maqhah in Arabic, qahveh-khaneh in Persian or kahvehane or kıraathane in Turkish) serves as an important social gathering place for men. Men assemble in coffeehouses to drink coffee (usually Arabic coffee) or tea, listen to music, read books, play chess and backgammon, and perhaps hear a recitation from the works of Antar or from Shahnameh.
American coffee shops are also often connected with indie, jazz and acoustic music, and will often have them playing either live or recorded in their shops. Coffeehouses are often gathering places for underage youths who cannot go to bars.
In the United Kingdom, traditional coffeehouses as gathering places for youths fell out of favour after the 1960s, but the concept has been revived since the 1990s by chains such as Starbucks, Coffee Republic, Costa Coffee, and Caffè Nero as places for professional workers to meet and eat out or simply to buy beverages and snack foods on their way to and from the workplace.
In France, a cafe also serves alcoholic beverages. French cafes often serve simple snacks such as sandwiches. They may have a restaurant section. A brasserie is a cafe that serves meals, generally single dishes, in a more relaxed setting than a restaurant. A bistro is a cafe / restaurant, especially in Paris.

Coffeehouse in Damascus
In Australian cities, a traditional European cafe culture is thriving as a result of significant immigration from mainland Europe in the 19th century and 20th century. These establishments often cluster along certain streets and with the weather allowing curb side seating much of the year certain areas resemble a large party on a Friday or Saturday evening.
In China, an abundance of recently-started domestic coffeehouse chains may be seen accommodating business people. These coffee houses are more for show and status than anything else, with coffee prices often even higher than in the west.

A coffee shop in Angeles City
In Malaysia and Singapore, traditional breakfast and coffee shops are called kopi tiams. The word is a portmanteau of the Malay word for coffee (as borrowed and altered from the Portuguese) and the Hokkien dialect word for shop (店; POJ: tiàm). Menus typically feature simple offerings: a variety of foods based on egg, toast, and coconut jam, plus coffee, tea, and Milo, a malted chocolate drink which is extremely popular in Southeast Asia and Australasia, particularly Singapore and Malaysia.
In parts of the Netherlands where the sale of cannabis is decriminalized, many cannabis shops call themselves coffeeshops. Foreign visitors often find themselves quite at a loss when they find that the shop they entered to have a coffee actually has a very different core business. Incidentally, most cannabis shops sell a wide range of (non-alcoholic) beverages.
In modern Egypt, Turkey and Syria, coffeehouses attract many men and boys to watch TV or play chess and smoke shisha. Coffeehouses are called "ahwa" in Egypt and combine serving coffee as well as tea and herbal teas. Tea is called "shai", and coffee is also called "ahwa". Finally, herbal teas, like hibiscus tea (called karkadeh) are also highly popular.[13]

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